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Main page / "Knowledge. Understanding. Skill" Journal / Contents / 2012 / No. 1

Erokhina L. A. The Problem of Interpretation and the Category of the Author in Umberto Eco’s Aesthetics

(Moscow Pedagogical State University)

Abstract ◊ The article describes the connection between Umberto Eco's aesthetic views and his conceptualization of the author — the key figure of interpretation.

Keywords: interpretation, communication, aesthetic function.


Erokhina Liubov Alekseevna, postgraduate of the Worldwide Literature Department at Moscow Pedagogical State University. Tel.: +7 (495) 246-57-12. E-mail: erokhina.liubov@ya.ru. Research adviser — Doctor of Science (philology), professor V. P. Trykov.

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Citation: Erokhina L. A. Problema interpretatsii i kategoriia avtora v estetike Umberto Eko // Znanie. Ponimanie. Umenie. 2012. № 1. S. 274–277.

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BIBLIOGRAPHY (TRANSLITERATION)

Gritsanov, A. A., Mozheiko, M. A. (2001) Postmodernizm. Entsiklopediia. Minsk : Interpresservis ; Knizhnyi Dom.

Reingol'd, S. (1994) «Otravit' monakha», ili chelovecheskie tsennosti po Umberto Eko // Inostrannaia literatura. № 4. S. 269–274.

Usmanova, A. R. (2000a) Umberto Eko: Paradoksy interpretatsii : dis. ... kand. filol. nauk. Minsk.

Usmanova, A. R. (2000b) Umberto Eko: Paradoksy interpretatsii. Minsk : Propilei.

Eko, U. (2004a) Otkrytoe proizvedenie : Forma i neopredelennost' v sovremennoi poetike SPb. : Akademicheskii proekt.

Eko, U. (2004b) Otsutstvuiushchaia struktura : Vvedenie v semiologiiu. SPb. : Symposium.

Eko, U. (2005) Rol' chitatelia : Issledovaniia po semiotike teksta. SPb. : Symposium.

Eco, U. (1990) Unlimited Semiosis and Drift: Pragmaticism vs. "Pragmatism" // The Limits of Interpretation (Advances in Semiotics). Bloomington ; Indianapolis : Indiana University Press. P. 22–43.

Eco, U. (1992) Interpretation and Overinterpretation. Cambridge : Cambridge University Press.

Peirce, Ch. S. (1955) Logic as Semiotic: The Theory of Signs // Philosophical Writings of Peirce / ed. by J. Buchler. N. Y. : Dover Publications. P. 98–119.



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